9781937541361 • 176pp • 7 × 10” • 2017
300 individual works originally posted on blogs over the period of a decade, here collected and integrated.
2001 takes the name of the mid-2010’s webcomic by Larmee reproduced in the central section. Bookended by character sheets and first-person navigation through an autoCAD-like environment containing fragments and debris of Larmee material. Character’s vamp, muse, and conjecture. Mixed with scanned street trash. Very ’68.
Blaise Larmee is the author of 3 Books, editor of Mirror Mirror 1, and Altcomics 1, 2, 4, 5, & 6.
EAST DISTRICT | ASH H.G.
GIRLS GONE WILD 1 | KATIE LANE
LA PODEROSA 1 | POWERPAOLA
EGIRL MAGAZINE | KATHERINE DEE
NUIE | NUIE
Altcomics Magazine 1
Altcomics Magazine 2
Altcomics Magazine 3
Altcomics Magazine 4
Altcomics Magazine 5
Altcomics Magazine 6
Brothersister
Compact Magazine
Deep in the Woods | Noah Van Sciver, Nic Breutzman
little heart
Mirror Mirror 1 | Blaise Larmee
Mirror Mirror 2 | Sean T. Collins, Julia Gfrörer
Mirror Mirror 3 | Plum
Motherlover | Raighne
Gustave Flaubert Trois Contes | Christopher Adams
Strong Eye Contact | Christopher Adams
Yule Log | Christopher Adams
The Necrophilic Landscape | Tracy Auch
Röhner | Max Baitinger
Vanishing Perspective | Alexis Beauclair
Cavities & Crevices | Archie Bongiovani
Out of Hollow Water | Archie Bongiovanni
Nocturne | Tara Booth
Yearbooks | Nicholas Breutzman
ITDN | Andrew Burkholder
Qviet | Andrew Burkholder
A Tunnel to Another Place | Apolo Cacho
Rudy | Mark Connery
Rudy zine | Mark Connery
Ablatio Penis | Will Dinski
An Honest Performance | Will Dinski
Trying Not To Notice | Will Dinski
Gulag Casual | Austin English
Sec | Margot Ferrick
Yours | Margot Ferrick
Prizon Food part 1 | Joseph Gillette, Eric Schuster
Prizon Food part 2 | Joseph Gillette, Eric Schuster
Salz and Pfeffer | Emilie Gleason
Lost in the Fun Zone | Leif Goldberg
Parc | Jul Gordon
Drone | Simon Hanselmann
Detrimental Information | John + Luke Holden
Fluorescent Mud | Eli Howey
Arthur Turnkey 1 | Toby Jones
Architecture of an Atom | Juliacks
Frozengirl | Iku Kawaguchi
Copy Kitty | Kyung-Me
3 Books | Blaise Larmee
2001 | Blaise Larmee
Comets Comets | Blaise Larmee
Dragon's Breath | MariNaomi
It Felt Like Nothing | Fifi Martinez
Sprawling Heart | Sab Meynert
How it Happened | Jason T. Miles
Well Come by Erik Nebel
100 | nou
Retreat | Jaakko Pallasvuo
Perfect Hair | Tommi Parrish
Virus Tropical | Powerpaola
I Don't Hate Your Guts | Noah Van Sciver
Wander Maunder | Justin Skarhus
Things You Carry | Vincent Stall
Extended Play | Jake Terrell
Summer Carnival | Jake Terrell
Startled Maggie | Maggie Umber
Sound of Snow Falling | Maggie Umber
The Necrophilic Landscape | Morgan Vogel
Someone Please Have Sex With Me | Gina Wynbrandt
orders: hello@2dcloud.com
general: raighne@2dcloud.com
publicity: melissa@2dcloud.com
airplane mode — publisher
melissa carraher — publicity
brianna perry — publicity assistant
kristina tzekova — house illustrator
publisher in search of some transcendent moment — a piece of liberating information. comics, art, literature, and the internet. est. 2007.
website design by blaise larmee
praise...
i had a hard time coming up with a way to say this — i want to read all of [ 2dcloud’s ] books. [ 2dcloud is ] one of the few publishers who consistently puts out material I love. maybe that's better than the quote below.
2dcloud has a specific, idiosyncratic voice, like that of an artist. it’s a point of view that’s recognizable, but hard to define. it’s art books-meet-comics with a sense of warmth, humanity and vulnerability. it’s pain, with hope, always beautiful and surprising. —keiler roberts, author of rat time, and chlorine gardens
nobody is publishing weird, avant-garde, and visually innovative art comix like 2dcloud. it’s the kind of work that, by its very nature, will never be lucrative, but they do it because they believe in artists, and i believe in them.
i want to see art with a unique hand. i want artists that tell stories no one else can. i want my visual vocabulary expanded when I look at what you do. comics that look how a comic should look are for babies and for the birds. —julia gfrörer, author of laid waste, and black is the color
[this] small publisher [is] upping the whole country’s alt-comics game. —aiga eye on design
2dcloud takes its inspiration from the loose, in-progress aesthetic of some conceptual artists. —hyperallergic
2dcloud continues to publish work that, with exhilarating honesty and fresh illustration, captures the vastness of what it is like to be alive in this moment. —rachel davies, rookie magazine
2dcloud [is] one of the most interesting and exciting independent publishers working today. —blouin artinfo
2dcloud is king of the jungle! their books are wild! Their artists are nuts! I love everything they're doing. —anna haifisch, author of the artist
2dcloud takes chances on work that takes chances. their optimism is contagious. the world of comics — and the world of culture — can’t afford to be without them. —bill kartalopoulos, the best american comics series editor
"2dcloud goes boldly where other comics publishers fear to tread. —anders nilsen, Poetry is Useless
everything 2dcloud is doing right now isn’t just good; it’s exciting. there’s no better publisher of its size and orientation working in comics." —tom spurgeon, the comics reporter
it doesn't make sense not to support 2dcloud. —dash shaw, director of my entire high school sinking into the sea
2dcloud is a vital force within the comics industry and print publishing as a whole. they showcase the work of experimental practitioners of the medium; [work that] widen[s] the scope of comics beyond what most readers think is possible. 2dcloud’s dedication to creating books with the highest quality production value exemplifies their understanding of what consumers in the mass market are attracted to. comic shops and bookstores alike would benefit from carrying the 2dcloud line. —jacquelene cohen, director of publicity & promotion for fantagraphics books inc.