40pp • 6 × 8.75” • 2018
"Wander Maunder looks out the window, and explores the panoramic scope of the comic page." —Will Dinski, Trying Not To Notice
"Primal stoner comics that play with the geometry of grids and visual experience of comics on a 'high' level." —Kevin Huizenga, Ganges
"Skarhus' comics are sharp at first glance, confounding at second and ultimately overflow with information that the reader is richly rewarded for unraveling. A puzzle of thought and emotion surge through these pages." —Austin English, Gulag Casual
Rough hewn cartooning pulls against a tightly formalized page logic as we're led through a memoryscape of dead-end friendships.
The strange, brooding style evokes teenage sketchbook drawings that, when coupled with the fatalistic stoner narrative, conjure feelings of youthful confusion cut with brutal certainty. Friendship is the body: skin, muscle, bones; the body comes together, the body comes apart. Wander Maunder manages to relate despite itself.
Justin Skarhus is a former associate publisher at 2dcloud and cartoonist based in Minneapolis. He has published small editions of minicomics via 2dcloud and appeared in Jason T. Miles' NOME anthology. He has new work forthcoming by way of his new publishing venture, Entropy Editions, later this year.





orders: hello@2dcloud.com
general: raighne@2dcloud.com
publicity: melissa@2dcloud.com
airplane mode — publisher
melissa carraher — publicity
brianna perry — publicity assistant
kristina tzekova — house illustrator
publisher in search of some transcendent moment — a piece of liberating information. comics, art, literature, and the internet. est. 2007.
website design by blaise larmee
praise...
i had a hard time coming up with a way to say this — i want to read all of [ 2dcloud’s ] books. [ 2dcloud is ] one of the few publishers who consistently puts out material I love. maybe that's better than the quote below.
2dcloud has a specific, idiosyncratic voice, like that of an artist. it’s a point of view that’s recognizable, but hard to define. it’s art books-meet-comics with a sense of warmth, humanity and vulnerability. it’s pain, with hope, always beautiful and surprising. —keiler roberts, author of rat time, and chlorine gardens
nobody is publishing weird, avant-garde, and visually innovative art comix like 2dcloud. it’s the kind of work that, by its very nature, will never be lucrative, but they do it because they believe in artists, and i believe in them.
i want to see art with a unique hand. i want artists that tell stories no one else can. i want my visual vocabulary expanded when I look at what you do. comics that look how a comic should look are for babies and for the birds. —julia gfrörer, author of laid waste, and black is the color
[this] small publisher [is] upping the whole country’s alt-comics game. —aiga eye on design
2dcloud takes its inspiration from the loose, in-progress aesthetic of some conceptual artists. —hyperallergic
2dcloud continues to publish work that, with exhilarating honesty and fresh illustration, captures the vastness of what it is like to be alive in this moment. —rachel davies, rookie magazine
2dcloud [is] one of the most interesting and exciting independent publishers working today. —blouin artinfo
2dcloud is king of the jungle! their books are wild! Their artists are nuts! I love everything they're doing. —anna haifisch, author of the artist
2dcloud takes chances on work that takes chances. their optimism is contagious. the world of comics — and the world of culture — can’t afford to be without them. —bill kartalopoulos, the best american comics series editor
"2dcloud goes boldly where other comics publishers fear to tread. —anders nilsen, Poetry is Useless
everything 2dcloud is doing right now isn’t just good; it’s exciting. there’s no better publisher of its size and orientation working in comics." —tom spurgeon, the comics reporter
it doesn't make sense not to support 2dcloud. —dash shaw, director of my entire high school sinking into the sea
2dcloud is a vital force within the comics industry and print publishing as a whole. they showcase the work of experimental practitioners of the medium; [work that] widen[s] the scope of comics beyond what most readers think is possible. 2dcloud’s dedication to creating books with the highest quality production value exemplifies their understanding of what consumers in the mass market are attracted to. comic shops and bookstores alike would benefit from carrying the 2dcloud line. —jacquelene cohen, director of publicity & promotion for fantagraphics books inc.